Intel’s Next Generation Drone Platform with the Intel® Context Sensing SDK

The Intel® Context Sensing SDK surfaces the power of the Intel Integrated Sensor Solution and advanced sensor capabilities to power mobile, laptop and wearable apps. What if the Intel Context Sensing SDK could be used to understand a drone’s environment and even control a drone?  That’s the vision we set out to discover in this demo at Intel® Day Zero Google I/O in 2016. Our demo at the Intel Google I/O Day Zero Pre-Party demonstrated the integration of Intel’s Context Sensing SDK with Intel’s next generation drone platform for the collection and analysis of telemetry and environment sensing data. The demo highlighted how data collected by individual sensors on individual drones can be aggregated and processed for different use cases including authentication and...

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Runcible – Monohm at MWC 2015

Runcible – Monohm at MWC 2015

I am so impressed with the craftsmanship and creativity shown by the Monohm team with their new “heirloom device,” the Runcible. Even in the first generation of this smartphone, the device no longer feels like a technological interloper on your life. Instead it feels like a natural part of your daily wardrobe, part of your life, and part of your family experience. This is what a “next generation wearable device” should feel like: it should be organic and beautiful. The Runcible device is a round smartphone that fits readily in your pocket, is crafted with care (both software and hardware), and delivers a personalized experience that does not interrupt your life, but instead accentuates what you really care about in your daily experience. I...

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On Police Power — Bringing Peace or Fear

Peace or Fear (I’m posting this on the day when a police officer was NOT indicted for choking Eric Garner to death without any overt provocation. Here’s the news story, and the actual video and audio tape) A few years ago, I did a ride along with the sheriffs department in Thurston County. The officer I was assigned was thoughtful, judicious, and extremely diplomatic. He defused about three situations we saw that day. Finally, we pulled up at a domestic violence situation at exactly the same time as another officer. My man turned to me and said “Well, I know this guy, and you’re about to see two different styles of policework here today. ” He was right. My guy walked in to bring the peace. The other guy walked in with the intent to...

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Trains, planes and Seattle supercommuters

FLASHBACK — TWO YEARS AGO… This is an interesting article in Seattle Times written about my commute to California, when I was working for Xerox PARC in Palo Alto.   May 18, 2012 at 1:00 AM Trains, planes and Seattle supercommuters By Lora Shinn / Special to NWjobs For two years, technology product manager Ned Hayes would rise before the sun at 4 a.m. every Monday to drive to SeaTac airport from his home in Olympia. He would hop a flight to San Jose, Calif., and arrive at his workplace in Palo Alto just in time for the weekly 9:30 a.m. team meeting. To stay in touch with his family, Hayes read books to his two children over video chat and spoke with his wife using Skype. He returned home on Wednesday or Thursday night in time for dinner. Despite...

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Nikki McClure and Sinful Folk

New York Times best-selling illustrator and author Nikki McClure and I know each other through our children’s school and our mutual interest in locally sourced art and supporting local artists. Nikki’s son and my children both attended the Lincoln Options Elementary School, and we are both very involved in the local arts community in the South Sound area in the Pacific Northwest. We first met at a Solstice Celebration that featured local children in an impromptu theatrical celebration of the season.   Nikki created the cover of Sinful Folk as one of her signature papercut pieces, but went in a new direction for the internal illustrations, which were created with charcoal. After reading the book in 2012, Nikki created her own graphical interpretation of SINFUL...

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Pumpkins

The really neat thing about carving pumpkins is that it’s a transformative activity. You’re taking a smooth surface — an organic substance (no two pumpkins are the same) — and changing it into something that resembles a human being. What’s even better is that it doesn’t last — perhaps that’s why I like both pumpkin carving and sand castle building. Neither one of them are permanent art installations; both forms of art are ephemeral. Oh, and they are also architectural. I love planning out how a pumpkin’s structure will support whatever I carve into it, and how to create a relief impression. Given the varieties of light and of differing layers in the pumpkin skin, I have successfully carved entire landscapes of...

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